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Colin Noden: “Let me set your mind at ease. There are no live rats in this production.”

Helen Lam: “The audience was thoroughly enjoying themselves on opening night.”

Brian Caroll: “A fun 37 minutes for diehard DUI fans and friends of the cast.”

Jennifer Cavanagh: “Looking for light and easy musical fare? This may be the Fringe menu item for you”

Brian Caroll: “[The Biscuiteater] is a tale that has won Loucks’ show Best Solo Performance awards at multiple Fringe festivals.”

Brian Carroll: “Canadians might dismiss her tale as ‘everybody had a bad high school teacher.’ But Singh presents a lesson in youth indoctrination under authoritarianism.”

Nicholas McBurney: “While performed well, I can’t help but feel that my lack of operatic knowledge kept me from fully engaging with [The Date].”

Nicholas McBurney: “Budd makes good use of the stage to tell these stories.”

Barb Popel: “The play was created collectively by the cast—and it shows.”

Barb Popel: “An interesting angle on Richard III and sexual politics.”

Nicholas McBurney: “Wade performed admirably, despite being given the script barely a week ahead of opening night.”

Brenda Dunn: “Jeffrey Davis was certainly the standout stand-up of the evening.”

Barb Popel: “#Faustus makes one of the most—if not the most—effective use of video I’ve ever seen on a theatre stage.”

Colin Noden: “It leads your mind down familiar social paths, and then gives it a twist.”

Nick Bachusky: “We have so much talent in this city, it is unbelievable.”