Fringe Review: 25
Jennifer Cavanagh: “The two-hander performance [by Elliot Delage and Anastasia Wells] cement these two as talents well worth catching.”
Jennifer Cavanagh: “The two-hander performance [by Elliot Delage and Anastasia Wells] cement these two as talents well worth catching.”
Brian Carroll: “Languedoc fills the entire stage with his performance and characters.”
Nicholas McBurney: “This is a show that will have you in stitches.”
Nicholas McBurney: “Re:Construct is everything I look for in a Fringe play.”
Nicholas McBurney: “While performed well, I can’t help but feel that my lack of operatic knowledge kept me from fully engaging with [The Date].”
Nicholas McBurney: “Budd makes good use of the stage to tell these stories.”
Julia Bueneman: “Go see this absolute powerhouse of a man and show. You won’t regret it.”
Julia Bueneman: “Lovely dive into Hungarian culture, it featured Hungarian music, some of the language, dance and song.”
Brenda Dunn: “If there is such a thing as a Fringe award for best tech, I’d like to put this show forward.”
Brian Carroll: “There’s a rule in entertainment: leave them wanting more. And I do. But I want a lot more… There’s a lot of talent behind this production.”
Jessica Ruano: “You can’t take your eyes off [Lesley Carlberg] because she’s hilariously adorable and utterly unpredictable. I would see this show again just to see what she does next.”
Nick Bachusky: “Do yourself a favour and buy tickets in advance for this performance. If opening night was any indication, every performance will be sold out and with very good reason.”
Ottawa’s largest theatre festival opens tonight. See our picks for opening night.
60 min | Solo, Musical | PG Stratford singer-songwriter Lara MacMillan brings a slice of Canadiana to the Fringe stage. The solo show recounts MacMillan’s life as a hospitality worker during her 1986 gap-year in Banff, replete with images of open highways, Lake Louise and Banff in the snow. A selected catalogue of Gordon Lightfoot […]