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ODD Box

Fringe review: Muse: An Experiment in Storytelling and Life Drawing

Stephanie Wobensmith: Getting to know our muse throughout the story-telling aspect of the show added both depth and accessibility to the performance, allowing the humanity of life drawing to fully shine through and providing additional ways for audience members to get involved.

Fringe review: meSSeS: Solo circuS

meSSeS: Solo circuS Created by Janoah Bailin Produced by janoah…anygoodjokes? 60m Content notes: Audience participation By Kevin Frenech “Juggling is about throwing, not catching”. – Seth Godin, Author Come one, come all! Jonoah Bailin, the one-man circus, invites you to join him in a captivating performance that combines laughter, skill and interactive fun. My girlfriend was […]

Fringe review: Brown Wasp

Chelsey Prince: “We can all relate to St. John’s need to make sense of the world around her and her desire to control the uncontrollable. If you are looking for a thoughtful, funny, expertly performed show about the human experience, this is the show for you.”

Fringe Review: The Remembering

The Remembering Created by Billie Nell Produced by Nell Creations (Ottawa, Canada) 60M | Content Notes: Masking Performance, Described Performance, Violence, Mental Health Topics By Eve Beauchamp If there is one word to describe The Remembering it’s deliberate. Every single line, movement, article of clothing, and set piece is adeptly calculated. In fact, Billie Nell, […]

Fringe Review: The Stakeout

The Stakeout is a whip-smart tragicomedy with crackling, sometimes absurd dialogue that reminded reviewer Barb Popel of Samuel Beckett and Philip K. Dick.

Fringe Review: Anatolia Speaks

Bruce Burwell: “Candice Fiorentino is outstanding as Anatolia. She projects honesty and vulnerability in a totally believable way … When she took questions from the other ESL students, I found myself turning my head to look in their direction—even though I knew they weren’t there.”

Fringe Review: Hi, How Are You?

The trials of capitalism are on display in Hi, How Are You? Emmanuelle Gingras: “Hi, How Are You underlines with humor the issues stemming from major socio-economic gaps. In other words, “The client is always right” applies to those who don’t have the privilege to think otherwise.”