Theatre Review: Love and Human Remains at The Gladstone—until 03.16.19
Barbara Popel: “As the lights went up at the end of the harrowing second act, the opening night audience leapt to its feet to give the cast a well-deserved standing ovation.”
Barbara Popel: “As the lights went up at the end of the harrowing second act, the opening night audience leapt to its feet to give the cast a well-deserved standing ovation.”
Barb Popel: “Fine performances from four talented actors… A polished production.”
Livia Belcea: “Right off the bat, the audience understands exactly what’s in store for them as Bebe busts into dance and delivers a jaw dropping grand entrance, for which the whole audience cheered and applauded with enthusiasm. She is glowing, sparkling, and moves like she was born with high heels on.”
Barb Popel: “I’m not sure what the author, Curtis Gough, and the director, Kevin Da Ponte, intend to say with this play.”
63 min | Drama | Mature Nicholas Dave Amott’s new play, As Rome Burns, is about the rehearsal of a play concocted by the mad emperor Nero. His play is about his imperial family’s history and himself. It’s being rehearsed by a few of his loyal slaves in the home of a Christian slave whom Nero has […]