School of Photographic Arts: Ottawa
On-View: July 22-September 21, 2019. Closing Event: Friday, September 20, 2019 Panel Discussion: 6:00PM – 8:00pm Reception: 8:00PM – 10:00pm The SPAO Centre Gallery is honoured to present Cosmic Surgery by German-born Alma Haser. This is the first exhibition in Ottawa to feature the acclaimed London-based artist. Expanding the dimensions of traditional portrait photography, Haser […]
UK artist Paul Harfleet will be planting pansies at the site of homophobic and transphobic hate crimes across Ottawa for the next couple weeks, and he wants you to reach out if you would like him to plant a pansy for you.
Her work is dripping with satire and a sharpness to its perspective that toes the line between mockery and conviction.
The bad news: November has arrived. The warmth of summer has fallen away with the leaves on the trees and November’s chill and rain are setting in like damp socks on cold feet. The good news: the weekend has arrived. The weather may be less than favourable, but there is still a ton to enjoy on this wonderful break from the work week.
Lamenting the end of summer? This weekend goes to show that fall is just as fun!
Stranger Things: Roger Ballen’s first Ottawa exhibition sheds light on a master of the dark—until 09.23.18
An American who has lived in South Africa since the early 1980s, Ballen’s work is the subject of the new exhibition There Is No Outside at the School of the Photographic Arts: Ottawa. Featuring nine photos and three videos, it marks the first time the award-winning Ballen has exhibited here.
Another glorious weekend is upon us, Ottawa. A weekend so full of fun, that it is impossible to do it all. Despite this, we like to keep you in the know re: all things cool, so here you have it – the Weekend Roundup.
Raymond Aubin is an artist in contemporary photography who also writes critiques and reviews in visual and media arts. Tourists: Here Today, Gone Tomorrow, a collection of photographs by fine art photographer Jake Morrison, invites viewers to reflect on the ambiguity of tourism. The ghostly figures that fill Morrison’s photographs almost appear deliberately placed over […]