Nell Gwynn is playing at The Gladstone Theatre until June 8.
Barb Popel: “Fine performances from four talented actors… A polished production.”
Barbara Popel: Three Sisters Theatre Company seem to have a knack for picking good female-centric plays by female playwrights, as they’ve returned to The Gladstone with Miss Shakespeare (book and lyrics by Tracey Power, music co-written with Steve Charles).
Barbara Popel: “It’s a rare play that elicits sympathy for all its characters. The Clean House, however, achieves this. All the more remarkable a feat, since it is an amalgam of comedy, drama, and surrealism.”
Barbara Popel: “All in all, if you love Leonard Cohen’s music, you’ll enjoy this show. And you’re sure to come away humming one of his wonderful songs.”
No Way to Say Goodbye: Songs of Leonard Cohen runs at The Gladstone (910 Gladstone Ave) from October 25 to November 4.
Brian Carroll: “Crimes of the Heart is the darkest comedy I’ve ever laughed at.”
Barb Popel: “His accompaniment of Brel’s songs is masterful; Richardson is one of the reasons to see this show.”
Barbara Popel: “It’s rare for a play to have neither empathetic nor sympathetic characters.”
130 minutes (including one intermission) / Drama | Parental Guidance The striking first impression of this production is how good the casting is. Robin Guy, Shawna Pasini and Cindy Beaton are immediately believable as sisters Agnes, Theresa and Louise. The MacKeigan sisters (hard-drinking actress Agnes, teetotaling nun Theresa and television-addicted, unemployed Louise) are gathered in […]
An evening bookended by gifts. But first, a word of advice, O gentle reader, before you enter the theatre: The Gladstone bar is featuring eggnog, with or without Sailor Jerry rum. Order yours before the show for intermission. It’s very popular. The Radio Show has become a Christmas tradition at The Gladstone. As befits a […]
It’s certainly possible to close your eyes and just listen to Plosive Productions stage adaptation of Orson Welles classic 1938 radio play War of the Worlds, which is playing at The Gladstone until Saturday. Director Teri Loretto-Valentik has made only small modifications to the script, so simply listening to this production with eyes closed is similar to the experience of […]