Kate Carmanico: “Outrageous… Forget the old man with the white beard—I’d rather meet this firecracker in heaven.”
Jared Davidson: “John Koensgen, James Richardson and Laura Hall each unleash purposeful performances that bring clarity and life to complex material.”
Jared Davidson: “Webber’s funny, self aware musings spiral into darker thoughts and anxiety, only to return to a confidence grounded in a love of cats.”
Helen Lam: This play seems to be more like a dramatized memoir than a theatre drama.
Brian Carroll: Being a science junkie, I found the train of events in Meitner’s life intriguing.
Brian Carroll: Lest you think this is merely a scholarly exercise, playwrights Becky McKercher and Sarah Thuswaldner have peppered the script with plenty of puns to indulge the groundlings.
Jared Davidson: “A quick-witted, absurd and cerebral comedy about the end of the world and the greed that caused it. Or, if not greed, caffeine addiction.”
Samara Caplan: “A surprisingly emotional and impactful show.”
Samara Caplan: “You may end up being surprised by the emotion encapsulated in the second half of the show.”
Fringe Review: I Am The Most Unfeeling Doctor In The World (And Other True Tales From The Emergency Room)
Barb Popel: “If I ever go to the Emergency Room, I hope I get Dr. Melissa Yuen-Innes.”
Samara Caplan & Laura Gauthier: “Even if you’ve never been to camp, go to this one!”
Colin Noden: “It starts with a guy on a stool, inviting you to come up and take a ball of yarn and needles from his basket. It ends with you wondering how to nominate him as a United Nations Peace Ambassador. Seriously.”
Barb Popel: “Night Feed is masterfully—or should I say ‘mistressfully’—done.”
Mer Weinhold: “A beautiful, thought-provoking performance.”
Colin Noden: “Everyone left with a smile on their face.”