Gladys Lazer is nomadic music. The solo project of Tel Aviv born musician and drummer Gal Lazer distills a time when he had no home and travelled the world solely on music. Recorded in Sao Paulo, Brazil, and in the countryside of Southwest Georgia, the debut EP, Candy World/Bye Past, features eight instrumental pathways: sonic vignettes that combust breakbeat, post-jazz, krautrock, and trip-hop in a cycle of pastoral daydreamscapes and ragged electronic dirges: all percussive, melodic delights. Gladys Lazer is tinted with the instrumental excursions of 90/00s Chicago experimental rock, coursing with primal, terrestrial rhythm, cut with fragmented noise and eternal trip-hop.
Pulgas is undeniable garbage wizardry. Their self titled debut release sounds like it was recorded in a trashcan with a modified trash-mic by trash people, but that belies the boundless creativity and musicianship contained within. Guitar record of the year? If you smoke trash, DEFINITELY. Hot licks galore, meaty beats and hooks that wouldn’t sound out of place in 1974 Philly soul.
debaser.ca/accessibility for more info about accessing the space
$8 adv + applicable service fees
presented by Debaser and Boiled Records
Attendees are expected to act with respect for equity and inclusiveness, including but not limited to a zero tolerance for racism, sexism, homophobia, transphobia, and ableism.
We humbly acknowledge that this event takes place on unceded and unsurrendered Algonquin land.