As you may have surmised, the production mashes up the dark, romantic tale of the Phantom of the Opera with country music comedic hijinks.
Les célébrations du 150e anniversaire du Canada aura eu pour effet d’unir les forces deux compagnies théâtrales issues des deux langues officielles du pays afin de coproduire une pièce de théâtre visant à rapprocher culturellement les deux univers. Les Passants sera présentée à Ottawa en français avec surtitres en anglais jusqu’au 12 mars au Great Canadian Theatre Company (GCTC).
Brian Carroll: “The soundscape of Tomorrow’s Child is rich and lush. From the first scenes of the playground and the helicopter, the soundscape is immersive and enveloping… Ray Bradbury would probably have liked this sonic adaptation of his story. “
Barb Popel: “Theatre 4.669’s production of Un-Countried has restored my faith in Canadian theatre. It’s not often Ottawa audiences get to see a world premiere of such a well-crafted play. Rarer still that the playwright is a local.”
Jared Davidson: “Exceptional character work… [Burnt is] fascinating, clever, and immersive.”
Brian Carroll: “Crimes of the Heart is the darkest comedy I’ve ever laughed at.”
Thought only to last one summer, Eddie May Murder Mysteries turned into a company that has been around for 33 years now.
Si l’an dernier le festival undercurrents avait enregistré un nouveau record d’assistance, on ne s’attend pas à moins cette année ! Parmi les neuf productions qui font partie de la programmation, voici nos coups de cœur.
The return of winter’s frigid weather is sure to have everyone wanting to stay indoors, but the weekend has plenty of awesome things you’ll sure be sad to have missed, if you are unwilling to brave the outdoors. Don’t believe us? Here’s proof! All Weekend Megaphono kicked off yesterday, for their third great year. There […]
The Gomeshi Effect raconte les histoires les plus privées et les moments plus vulnérables qui se cachent au fond du cœur d’un(e) survivant(e), tout cela avec grâce, puissance et respect.
The play is created and directed by Jessica Ruano. It has nothing to do with Ghomeshi’s trial or case, but rather with the aftermath and with the influx of individuals sharing their stories about rape and how the justice system has utterly failed them.
Dans le cadre de sa toujours riche et belle programmation, le Centre national des Arts propose trois représentations du ballet Onéguine du chorégraphe John Cranko. Présenté par le Ballet national du Canada, ce spectacle est un pur bijou qui offre aux spectateurs une parenthèse d’émotions à couper le souffle.
As an artist interested in these questions, when I saw Jessica Ruano’s first posts about The Ghomeshi Effect I felt relieved: I wasn’t the only one thinking about this and trying to make something of it.
Personal biases aside, many Canadians can recall their own Trudeau memories. Whether it was watching him on TV as he addressed the nation or reading about his politics in the paper. Trudeau Stories will leave you just as curious as ever about the former prime minister with a desire to know more.
This week on the show, we talk to creator/director Jessica Ruano and actor Leah Archambault from The Ghomeshi Effect, a new verbatim dance-theatre piece premiering January 19th at The Gladstone Theatre.